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Second Nature | 
enlarge | Author: Michael Pollan Publisher: Delta Category: Book
List Price: $14.95 Buy Used: $2.31 You Save: $12.64 (85%)
New (4) Used (29) from $2.31
Avg. Customer Rating: 23 reviews Sales Rank: 576284
Media: Paperback Number Of Items: 1 Pages: 320 Shipping Weight (lbs): 0.1 Dimensions (in): 7.9 x 5 x 0.8
ISBN: 0385312660 Dewey Decimal Number: 628 EAN: 9780385312660 ASIN: 0385312660
Publication Date: April 5, 1992 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
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Product Description Eight years ago, Harper's Magazine editor Michael Pollan bought an old Connecticut dairy farm. He planted a garden and attempted to follow Thoreau's example: do not impose your will upon the wilderness, the woodchucks, or the weeds. That ethic did not, of course, work. But neither did pesticides or firebombing the woodchuck burrow. So Michael Pollan began to think about the troubled borders between nature and contemporary life.
The result is a funny, profound, and beautifully written book in the finest tradition of American nature writing. It inspires thoughts on the war of the roses; sex and class conflict in the garden; virtuous composting; the American lawn; seed catalogs, and the politics of planting a tree. A blend of meditation, autobiography, and social history, Second Nature is ultimately a modern Walden: a true classic for our time.
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| Customer Reviews: Read 18 more reviews...
More about Michael Pollan than gardens May 14, 2007 0 out of 5 found this review helpful
That's not entirely fair, but...this is a book of essays, not a natural history or gardening book. It is about Pollan's perceptions of nature and landscape, through the gateway of his garden. He does only enough research to flesh out his musings with historical fact and literary reference - and he is very selective. He leans heavily on Thoreau, and neglects wider scholarship. His essays bog down in pedantic and turgid language (he abuses at least one 5-syllable word per essay). The writing is much like Bill Bryson's, about whom, I'm also kinda lukewarm. I didn't love it, although there are good bits - the story of his first rose plantings was interesting, and inspired me to drop a few snobby old roses in the sod.
Delightful reading March 8, 2007 2 out of 2 found this review helpful
Michael Pollan's writing is full of metaphors. This book about nature as a human construct was enjoyable to read. I found some parts frustrating because I like the romantic idea of nature even if it is just a human construct. But overall I would recommend this book for a quick read.
philosopher of gardening February 8, 2007 3 out of 3 found this review helpful
I loved this book. It is written in the spirit of earth that author obviously is in love with. The book is divided into four seasons: spring summer,fall and winter. Each of the seasons has it's own unique characteristic that follows ancient tradition of preparing soil, sowing,cultivating, weeding, harvesting and winter nothingness. However if reader looks for practical advises, he or she will not find it here. It is a wonderfull read for all the nature lovers.
Lawn Mowing et al July 22, 2006 6 out of 6 found this review helpful
Pollans description of what is a green thumb and the sysiphean art of mowing reminded me how therapeutic gardening can be and why it cures depression. Thank you Michael for making me look at my roses in a totally different way. You will love this book if you tend to think in pictures and love the art and hard work of gardening.
For the virtual gardener June 27, 2006 4 out of 9 found this review helpful
I picked up this book when I didn't have my own dirt to get my hands into, and I was hoping to garden vicariously through Pollan's essays.
There are a lot of lessons to be found. For instance, the chapter on roses explains how human intervention and selective breeding brought about a huge difference between the technicolor tear-dropped buds we see for sale at the grocery store and the rounder and simpler flowers that Shakespeare and his contemporaries wrote about.
Throughout the book Pollan makes the case for uniting culture and nature in the garden rather than pitting them against each other as Thoreau (the naturist) did in his writings or suburban landscaping (very culture-centered) implies today. It is an interesting argument worth considering, but by the fourth part when I found it repeated for the umpteenth time without anything new to add I quit reading the book.
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