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Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (Electronic Culture: History, Theory, and Practice) | 
enlarge | Author: Siegfried Zielinski Creators: Timothy Druckrey, Gloria Custance Publisher: The MIT Press Category: Book
List Price: $19.95 Buy New: $12.96 You Save: $6.99 (35%)
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Sales Rank: 263915
Media: Paperback Number Of Items: 1 Pages: 392 Shipping Weight (lbs): 1.4 Dimensions (in): 8.7 x 6.9 x 0.9
ISBN: 026274032X Dewey Decimal Number: 609 EAN: 9780262740326 ASIN: 026274032X
Publication Date: April 30, 2008 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: SHIPS from 5 locations based on your Zip Code and availability! (PA TN IN OR SC) *-* Gift Quality *-* Orders Processed Immediately! - We get your book to you Very Quickly! -L2355.26321
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Product Description Deep Time of the Media takes us on an archaeological quest into the hidden layers of media development?dynamic moments of intense activity in media design and construction that have been largely ignored in the historical-media archaeological record. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history?fractures in the predictable?that help us see the new in the old. Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. "Media are spaces of action for constructed attempts to connect what is separated," Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.
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