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Too Brief a Treat: The Letters of Truman Capote

Too Brief a Treat: The Letters of Truman Capote

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Author: Truman Capote
Creator: Gerald Clarke
Publisher: Vintage
Category: Book

List Price: $16.00
Buy New: $9.39
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New (30) Used (16) from $4.99

Avg. Customer Rating: 4.0 out of 5 stars 5 reviews
Sales Rank: 227240

Media: Paperback
Number Of Items: 1
Pages: 512
Shipping Weight (lbs): 0.9
Dimensions (in): 7.8 x 5.2 x 1

ISBN: 0375702415
Dewey Decimal Number: 809
EAN: 9780375702419
ASIN: 0375702415

Publication Date: September 13, 2005
Availability: Usually ships in 1-2 business days
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Also Available In:

  • Hardcover - Too Brief a Treat: The Letters of Truman Capote

Similar Items:

  • The Complete Stories of Truman Capote
  • Conversations with Capote
  • Answered Prayers: The Unfinished Novel
  • In Cold Blood
  • Other Voices, Other Rooms

Editorial Reviews:

Product Description
The private letters of Truman Capote, lovingly assembled here for the first time by acclaimed Capote biographer Gerald Clarke, provide an intimate, unvarnished portrait of one of the twentieth century’s most colorful and fascinating literary figures.

Capote was an inveterate letter writer. He wrote letters as he spoke: emphatically, spontaneously, and passionately. Spanning more than four decades, his letters are the closest thing we have to a Capote autobiography, showing us the uncannily self-possessed na•f who jumped headlong into the post—World War II New York literary scene; the more mature Capote of the 1950s; the Capote of the early 1960s, immersed in the research and writing of In Cold Blood; and Capote later in life, as things seemed to be unraveling. With cameos by a veritable who’s who of twentieth century glitterati, Too Brief a Treat shines a spotlight on the life and times of an incomparable American writer.



Customer Reviews:

5 out of 5 stars Better than a diary!   February 13, 2007
 3 out of 3 found this review helpful

When you read personal correspondence written to friends, lovers, and business associates . . . well, it doesn't get any better! Candid, un-censored, witty, funny, revealing, cutting . . . it's all there! A great look at the true Truman Capote. Very interesting.


3 out of 5 stars A sense of Capote   August 16, 2006
 1 out of 2 found this review helpful

Letters are interesting to read and you get a real feeling for how needy he must have been to be loving everyone so much.
I think it is better to read his biography first, so that you know who the people are in the letters. It's a little confusing otherwise. That's what I plan to do.



4 out of 5 stars Too Much Of A Good Thing   June 20, 2005
 6 out of 7 found this review helpful

I always loved Truman Capote's writing and looked forward to this book oh, so much, especiallywhen I saw it was edited by the estimable Gerald Clarke, who has written so brilliantly on Capote in his biography (and who also wrote GET HAPPY, a terrific life of Judy Garland). (Hmmm, he must specialize in the tiny.)

But alas Capote's letters just aren't as good as his fiction. They seem hurried, scattered, as though he were writing too fast to revise, everything exactly the opposite of what one likes about the stories and filmscripts. I will say you do get a different side of him, and the outlines of his social world become clearer, so view this compilation as an addendum to the biography, and you won't go far wrong.

I was surprised to see him make so much of (i.e. flatter) Cecil Beaton, it sounded phony. It seems that he treated Newton Arvin pretty well all things put together. Some have said that he "used" Arvin to get ahead and then dumped him once he had found a measure of his own success. But Arvin can't have been an easy guy to live with IMHO. Another interesting correspondent is William Goyen. I think the best letter in all of TOO BRIEF A TREAT is Capote's letter congratulating Goyen on the achievement of THE HOUSE OF BREATH. That letter, in the perfection of its phrases and the conviction of its rapture, is alone worth the price of the book. It's a shame that Goyen later turned on Capote and treated him so shabbily. Good for Gerald Clarke for pointing this out.

Meanwhile the good news for Capote fans is that his novel SUMMER CROSSING, about which many of the letters to Bob Linscott are devoted, has been recovered and now, fifty-plus years later, it might be seeing the light of day. In the interim we will re-read these letters, hoping to scan in more data on the terrific catastrophe that was Truman Capote's life.



3 out of 5 stars Not the treat I was expecting   December 7, 2004
 6 out of 6 found this review helpful

Truman Capote is one of my all time favorite writers so I was surprised that his letters are somewhat of a disappointment. The letters span 46 years with the majority of them from the late 40s and 50s. It's too bad that there are only a handful of correspondence from Capote's celebrated period following the release of "In Cold Blood," a book which turned him into a celebrity. I suppose he was too busy with his success and celebrity to write letters during this period. There is nothing about his famous Black and White Ball or the infamous article which scandalized the jet set. Hardly anything is here from the 70s either, a period in which he was practically a household name, appearing in movies and talk shows.

What is included are letters to his editors, Robert Linscott and Bennett Cerf, discussing his work and responding to criticism. Many letters to his lovers also are included but Capote seemed to have been very discreet (unlike in public life). Letters to David Selznick and Jennifer Jones give us a glimpse into the years of Hollywood life but very little juicy gossip - they leave the reader wanting more. During the years of Capote's research for "In Cold Blood," he corresponded frequently with Alvin Dewey, the detective in charge of the case, and his wife Marie. These letters are mainly questions from Capote concerning details of the case and Capote providing the Deweys with access to his Hollywood friends. Letters to the Dewey's son, Alvin Jr., show remarkable affection and advice and criticism to an aspiring writer.

Capote was a wanderer and his letters were written from his various residences across the globe - Sicily, Spain, Paris, Switzerland, Venice, California, New York, Alabama, etc. Jack Dunphy, his longtime companion is often mentioned with love and affection. Cecil Beaton and Christopher Isherwood were also frequent correspondents, but again, very little gossip.

The letters do show that Capote was obviously a very compassionate man and despite his biting wit and bitchy persona, they reveal a warm and caring man.



5 out of 5 stars A book for fans of the genre and of the man   October 1, 2004
 9 out of 11 found this review helpful

"Your letter was too brief a treat, but a treat all the same; there is only one excitement to my day, and that is when the postman comes." So wrote the author who sometimes waited an hour for the best word to come to mind when engaged in concocting a novel, yet spun off letters to friends and colleagues like cotton candy.

Truman Capote, to whom fame came early and lasted long, called all of his correspondents by such adorations as "precious baby, darling child." To almost anyone he was likely to say, "much love, little blue eyes" or "I miss you 24 hours of the day" or "a thousand kisses, precious." It seemed that nearly everyone he wrote to was his darling, his love, and wanted showering with kisses.

Not that he couldn't be cutting and catty, though always with gentility, at least on paper: "I'm afraid he's set fire to too many bridges"; "he's furious because anyone other than himself is here" (of W.H. Auden); and, of Jimmy (James) Baldwin, "his essays are at least intelligent, though they almost invariably end on a fakely hopeful, hymn-singing note."

Of his early work on IN COLD BLOOD he wrote, "This is my last attempt at reportage." Like almost every writer, he wanted to know what the critics were really thinking and get copies of all his reviews. He managed to sound both humble and very puffy when referring to his successes, and terribly anxious about the fate of pieces in progress.

A collection of so very many letters (for that is all the book is) can start to feel water-logged after a while. It's a good thing to recall that posterity will not necessarily be fascinated by one's complaints about the cold, the prices of goods in foreign cities, or the antics of one's pets (and Truman had many). We would all make our letters more artistic and succinct if we imagined that they'd be read generations hence.

So we can speculate on two forking probabilities. One: that Capote well knew that his words would be taken for gemstones ages from now and wrote with the cagey casualness of the omniscient observer. Two: that Capote never imagined for an instant that anyone would collect his letters to friends and place them on the altar of memory for the entire world to see.

I prefer the second alternative, because I like thinking of Capote as a natural, sweet-hearted man, who showed his artistic brilliance to the public but saved his syrup and a touch of spice for his epistolary relationships.

TOO BRIEF A TREAT is a book for fans of the genre and of the man.

--- Reviewed by Barbara Bamberger Scott, author of WITH IT: A Year on the Carnival Trail


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