Massive Change | 
 enlarge | Authors: Bruce Mau, Jennifer Leonard, Institute Without Boundaries
Publisher: Phaidon Press
Category: Book
List Price: $29.95
Buy Used: $13.74
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Avg. Customer Rating:  7 reviews
Sales Rank: 15999
Media: Hardcover
Number Of Items: 1
Pages: 240
Shipping Weight (lbs): 2.1
Dimensions (in): 9.8 x 7 x 1.2
ISBN: 0714844012
Dewey Decimal Number: 745.2
EAN: 9780714844015
ASIN: 0714844012
Publication Date: October 1, 2004
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Condition: Very good condition. Minor shelf wearing. Inside pages neat and clean. Ships promptly with care
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Product Description
Massive Change is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the "familiar objects and techniques that are transforming our lives."In essays, interviews, and provocative imagery aimed at a broad audience, Massive Change explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society #151; such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present.
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| Customer Reviews: Read 2 more reviews...
 Massive change March 15, 2008
http://www.amazon.com/gp/product/0714844012/ref=cm_cr_rev_prod_title
A simple question: "what for?" should be ask for designers. What exactly a process of design means and how it works or could work in contemporary global civilisation? It help get a consciousness of designers role in modern world.
Massive change March 8, 2007
Excellent vision and unhappy scenarios are show us. How could we do this? It's time to change!
Robson Quinello
An optomistic view of mankind's future January 13, 2007
An excellent look at the challenges and possible solutions facing the human race. My only complaint is that the book is a bit dated, but its perspective is future proof. The concept of the Institute without Boundaries is especially interesting.
For every dreamer.... February 24, 2006
6 out of 9 found this review helpful
Bruce Mau is more than a designer. He is a futurist who has swapped fatalism for idealism. His vision of the future is based on facts, but you feel his undertone of optimisim. Massive Change is an utterly interesting read from cover to cover. The structure of the book and the writing style makes it a great resource of information. Massive Change is a necessity for the bookshelf of every intellect and every dreamer.
 Missed opportunity October 25, 2005
33 out of 37 found this review helpful
Bruce Mau's previous book - "Life Style" - was a pivotal publication that had something very fundamental to say about the practice of design. The argument woven into this survey of Bruce Mau Design's portfolio derived its edginess from an underlying, existential dilemma. On the one hand, Mau wanted to do justice to design's capacity to give "style" to sprawling, viral "life" (originally a very Nietzschean concept, later taken up and politicised by Foucault and Deleuze). On the other hand, there was the fear for the domestication of his practice to the status of banal, lifeless purveyor of images and artefacts - global capitalism's lingua franca. This tension between subversion and acquiescence turned "Life Style" into a poignant testimony.
Massive Change is, I am sorry to say, a much less compelling read. It takes its cue from Life Style's key idea - design is able to reformat the very principle of life - but dispels the darker, problematic side of the equation. Indeed, although Mau would like us to believe otherwise, the book's perspective is squarely utopian. In adopting as its motto theme "Now that we can do anything, what will we do?", it echoes the pragmatist voluntarism of the peer-to-peer movement. But the dissonances - P2P's paradoxical (symbiotic/parasitic) relationship with capitalism - have been filtered from the echo. What remains is the suave message that technological progress - shaped and harnessed by design - will be able to solve all our problems if we only want it to.
So, although Massive Change promises to bring us a "wildly unexpected view of the future", it really doesn't reach beyond the intellectual horizon of, say, a special issue of Scientific American on "Key Technologies for the 21st Century". The material is conventionally organised in sections that review the state of the art in urban planning, transportation, energy, information, material sciences, military technologies, biotech etc. Only two chapters discuss governance issues ("market economies" and "wealth and politics"). The relatively meager substance comes from short interviews with a series of "experts" in the disciplines surveyed. The selection is very US-centric and contains quite a few usual suspects (Dean Kamen, Stewart Brand, Lawrence Lessig, Jaime Lerner, Hazel Henderson etc).
By now we are also well acquainted with Mau's cinematic and fractured style in book design. "Massive Change" doesn't break any new ground compared to previous volumes (not only Life Style but also S,M,L,XL (with Rem Koolhaas) and the Zone series of books). What was once truly refreshing is becoming stale. By the way, the short interviews are printed on glaringly yellow pages, which I find positively ugly.
All of this is disappointing. I can think of two explanations for the intellectual and stylistic flaccidity exhibited in this volume. First, we are missing the incisiveness and depth that Mau's sparring partner Sanford Kwinter brought to "Life Style" (In my opinion, Kwinter's three-page lead essay was worth the price of that book). I am not sure what happened between Mau and Kwinter, but the latter is almost completely absent from this volume.
Then, although this is not be obvious at first sight, "Massive Change" is not really a Mau book. In fact, it has been largely put together by Jennifer Leonard, one of the students from the inaugural year of the Institute without Boundaries (a newly established postgraduate education programme whereby students spend a full year in the Mau studio). So, although Mau's name figures prominently on the cover, inside we learn that the Institute led the research, development, design and production of Massive Change.
I can't recommend this volume. "Massive Change" is a missed opportunity.
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