Leader of the Band: The Life of Woody Herman | 
 enlarge | Author: Gene Lees
Publisher: Oxford University Press, USA
Category: Book
Buy New: $24.95
New (16) Used (13) from $2.50
Avg. Customer Rating:  1 reviews
Sales Rank: 1052585
Media: Paperback
Number Of Items: 1
Pages: 448
Shipping Weight (lbs): 1.3
Dimensions (in): 9.2 x 6.1 x 1.1
ISBN: 0195115740
Dewey Decimal Number: 781.65092
EAN: 9780195115741
ASIN: 0195115740
Publication Date: July 17, 1997
Availability: Usually ships in 24 hours
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| Editorial Reviews:
Product Description
Few people know jazz as well as Gene Lees. As a musician, songwriter, former editor of Down Beat, and creator of the acclaimed Jazzletter, he has steeped himself in the music for decades. And no one writes about jazz better than Lees. He is widely acknowledged to be one of the leading jazz historians. The Washington Post called him "one of those writers who's a joy to read on any subject at all." No less than Dizzy Gillespie has called Lees "the glowing jewel of jazz" for his perceptive writing about the music. Now comes the book that jazz lovers (and Lees's fans) have been waiting for--Leader of the Band, a vivid, full-scale biography of Woody Herman.
Asked by Herman in 1986 to write his biography, Gene Lees has spent close to a decade working on it, interviewing many of Herman's childhood friends and lifelong acquaintances as well as numerous musicians, including Les Brown, Milt Jackson, Peggy Lee, Tony Martin, and Red Norvo. The result is a strikingly immediate and well informed portrait of one of the great figures in jazz history--a musical giant whose career spanned the big band and bebop eras. Lees unfolds Herman's dramatic life from his childhood in Milwaukee to his final tragic days hounded by the IRS. We follow his rise to prominence in the 1930s as leader of "the band that plays the blues," when he quickly earned the love and respect of his peers that became the enduring hallmark of his career. Lees illuminates Herman's great success between 1945 and 1950, when bebop rapidly developed, revealing how Herman successfully made the transition with bands that became famous as Herman's "First Herd" and "Second Herd." (The Second Herd in particular won a stellar place in the annals of bebop, boasting many brilliant musicians, most notably, tenor saxophonist Stan Getz.) Lees also captures the ultimate tragedy that broke Herman's career--when Herman's manager diverted the band's withholding tax to settle gambling debts. Herman was tormented by the IRS for decades, until he died, penniless, in 1987. Along the way, Lees brings to life the weary routine of performing on the road, with its constant one-night engagements and unending travel, broken only by brief stays at home and moments of camaraderie. And perhaps most important, we not only see Herman's legion of friends and admirers, we see why this commanding figure was so loved and respected, even by that fractious bunch who make their living by playing jazz.
Woody Herman played a central role in the development of jazz--and he played it, as he did the music, with dignity and breathtaking ability. In Leader of the Band, one of our finest writers captures the life of this great bandleader, vividly portraying the triumph and tragedy of a life in jazz.
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| Customer Reviews:
An Amazing and Noteworthy Life January 14, 2001
6 out of 6 found this review helpful
Although this was written a little while ago, its nice to have Woody's story told in depth. And this is as deep into Woody Herman's life as it is going to get, probably. It is rich and told as only a good friend of the subject could tell it. We get most of the steadily ongoing personal changes, as expected, covering all the various Herds and bands. And, thanks to Gene Lees' not stepping aside issues, a gratifyingly real look into Woody's life and times. Although the friendship does slip in occasionally, for example, Woody's being one of the great male jazz vocalists? Please! His vocals are some boring jive and meant to entertain the social crowd. Not being a clarinet fan, I always thought he could have put a lampshade on that ax in about 1954 and stuck to alto and soprano, but that's just my short coming. The consistently high level of music and energy his bands produced (with few exceptions), the length of time he was able to keep a big band working, life on the road, the way the band always reflected new sounds and influences to keep modern, the great players that passed through, and the respect and admiration his musicians held for him (after a rather shaky start, surprisingly) all add to his brilliant career. And he loved his wife through the whole amazing trip. And then there's that ugly tax thing, a real tragedy in his old age. Maybe the reason Woody is overlooked a bit historically is because, although he was a gifted musician and leader, he wasn't an arranger and writer in the Fletcher Henderson, Gil Evans, Thad Jones, Duke and Billy Strayhorn tradition. While the book's focus is squarely on Woody and his closest associates, I felt it could have dealt more fully with his music. I found I had to drop a needle on some old sides to get that, but that's not all bad, either. And finally, I think its rather nice living on Humboldt Boulevard in Milwaukee about 5 or 6 blocks from where Woody lived as a kid, although his house is gone (condos, what else?).
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